Norah Lopez Holden as Anna and Julie Hesmondhalgh as Renee in The Almighty Sometimes by Kendall Fever (Royal Exchange publicity photo)
Anna is bright, gifted and angry. Like many 18 year olds she thinks she knows everything. But she also suffers from bipolar disorder. For the past 7 years, with the support of her mother and psychologist, and a lot of medication, she’s been stable. But now she’s discovered that if she stop taking the pills a whole world of creativity opens up to her and she feels wonderful…for a while.
The problem of lack of support for children facing mental illness and their families has rightly had a lot of publicity recently. What is perhaps less well known is that when those children reach the age of 18, they become adults in the eyes of the law and are expected to transition smoothly from child to adults’ support services, taking responsibility for their own condition and therapeutic pathways. Anyone who has lived with an 18 year old will recognise some of the dangers of that approach.
Julie Hesmondhalgh plays Anna’s mother, desperately worried by her daughter’s escalating mood-swings but barred by Anna’s hostility and rules on confidentiality from accessing the help her daughter so clearly needs. It sounds like a grim story and in some ways it is. This play pulls no punches about the agonies of mental illness and the social stigma that those who suffer it have to cope with. It’s also extremely honest about the monstrous self-centredness of someone in the throes of mental instability, and how that can combine with the natural wish for independence to push vulnerable young adults over a precipice. Renee, Anna’s mother, is no saint, and there’s a lot of warmth and black humour in this play, but ultimately it’s about a mother and daughter having to negotiate a devastating situation with no easy answers.
It’s brilliantly written and beautifully acted. Hesmondhalgh rightly has caught the headlines – she’s brilliant – but Norah Lopez Holden is also remarkable in the very demanding role of Anna – swinging from feeling that the universe is in the palm of her hand to a crippling depression so severe that she’s too exhausted to pick up a hairbrush. Glorying in her uniqueness yet desperate to be accepted as an ordinary person, she is impossible to live with, challenging and alienating all those who care for her, yet invokes our deepest pity. Her creative potential is clear, but it the cost unacceptable – to herself, her loved ones, and society in general?
This is everything new drama should be – entertaining, thought-provoking, challenging and completely involving. With the epidemic of mental distress now facing young people, it is also highly topical.
The Almighty Sometimes is on at the Royal Exchange Theatre, Manchester until 24 February. Box Office 0161 833 9833